Even if it’s only once, I really must give this a try . . . These images are also part digital photography, part analog photography (KONO! Rotwild + Fuji Instax Wide), and part digital photo manipulation. The digital image was shot using Canon 5DS R with 70-200mm lens, lit with Profoto B1 monolight + a…
Tag: conceptual photography
Playing with Light
Just one of my many midnight experiments . . . Throwing light, creating shadows, playing with reflective objects, and trying various camera settings. Save
[Fine Art Photography] Kimberly
Hybrid Photography: 40% digital photography + 40% analog photography + 20% digital photo manipulation I made a number of presets so I can repeat and automate the process. (And, in case you are wondering, the analog part of the photo was shot using KONO! Rotwild) Photographer and Retoucher: MIU VERMILLION Stylist: LEONID GUREVICH Hair Stylist:…
[Photography] Shooting Book Covers
People who scroll though the images I shot for potential book covers are usually left unimpressed . . . by the composition, the blandness, the excessive amount of negative space . . . The thing is, the images don’t look unfinished and bland to me . . . because I could already see where the…
Klaudia
Here are some of my favorite unused images from the series published in the 7th issue of Aether Magazine. (You can view the published images in my previous blog post) But if you shot hundreds of images per look, sharing one or two photos per look is a total waste . . . especially if…
Water Puddle, Noguchi Garden, Agfa Vista Plus 400, and Zenit 412LS
Grainy, desaturated (with pale lavender tint), and very sharp Zenit 412LS has become my #1 favorite analog camera ever since I used it for the first time a couple of months ago. I love how it captures textures, and there is a beautiful yet undefinable quality no digital camera and photo manipulation can create. Combined…
Getting to know my Impossible I-1 Camera (Part 3): I-Type Color Film
It took a few tries, but I think I’m starting to get the hang of it! I was a bit disappointed when I saw how washed-out the first set of images (below) look . . . but, eventually, I was able to create vivider, sharper, and more saturated images using the I-Type color films +…
Getting to know my Impossible I-1 Camera (Part 2): Black and White I-Type Film
Impossible Project I-1 Camera and I-Type films
Cauchemar
Experimental fine art photography Featured in Emboss Magazine Vol. 001 Photographer: Miu Vermillion Model: Regina Schnitzer Hair + Make Up: Nami Hasegawa Stylist + Costume Designer: Joyce @ Angelica Brigade Dress ANGELICA BRIGADE Dress and nail jewelry ANGELICA BRIGADE Bustier SPANX Neck chain AGENT PROVOCATEUR Collar as headband ANNE FONTAINE Faux fur shawl SPIRIT HOODS…
Miu Vermillion Studio 