Fine Art Photography: Photographs Within Photograph

Even if it’s only once, I really must give this a try . . . These images are also part digital photography, part analog photography (KONO! Rotwild + Fuji Instax Wide), and part digital photo manipulation. The digital image was shot using Canon 5DS R with 70-200mm lens, lit with  Profoto B1 monolight + a…

Extreme Crop of an Upcoming Beauty Editorial

Testing Phase One Pro 10 100% unretouched Marveling at the details It’s so different from Lightroom. It was a bit difficult to navigate at first, but I’m getting the hang of it. More photos soon. Model: SOFIA STEINBERG Makeup: SHINO ARIIZUMI Hair: SHUNSUKE MEGURO Photographer: MIU VERMILLION [adinserter name=”Recommendation Ad”] Save Save

Playing with Light

Just one of my many midnight experiments . . . Throwing light, creating shadows, playing with reflective objects, and trying various camera settings.   Save

[Fine Art Photography] Kimberly

Hybrid Photography: 40% digital photography + 40% analog photography + 20% digital photo manipulation I made a number of presets so I can repeat and automate the process. (And, in case you are wondering, the analog part of the photo was shot using KONO! Rotwild) Photographer and Retoucher: MIU VERMILLION Stylist: LEONID GUREVICH Hair Stylist:…

Ify

Photographer: MIU VERMILLION Stylist: LEONID GUREVICH Hair Stylist: LORENZO DIAZ Makeup: MARAZ using MAKEUP FOREVER Model: IFY J Corset: PARADOX DESIGNS Dress: MIMI PROBER Necklaces: CLARA KASAVINA Bracelets & rings: GBGH JEWELRY Shoes: ZACK LO

[Photography] Shooting Book Covers

People who scroll though the images I shot for potential book covers are usually left unimpressed . . . by the composition, the blandness, the excessive amount of negative space . . . The thing is, the images don’t look unfinished and bland to me . . . because I could already see where the…

[Fine Art Portrait Photography] Anastasia

I ended up re-editing the photos I shot in a couple of years ago . . . approximately 15 photos or so per look . . . but, this time, with the “less is more” approach: Color-grading + followed by light cleanup, dodging, and burning, + toning. The only lighting I used back then was…

[Analog Photography] Adox Color Imposion

Adox Color Implosion: Grainy, with yellowish tint, and GRAINS! I love how to use it to shoot anything blue . . . in this case: the sky, blue jeans, water in a swimming pool . . . It adds a nice contrast and makes the image pops       Save Save

Annabelle

Giving this series a second life . . . I shot this series way back when I was a natural light photographer and didn’t give a jot about camera settings. It was a much simpler time when all I cared about was the final image. Sometimes, I really want to go back to that mindset…

[Art Photography] Accedie

Back to my old tricks . . . I made a bunch of presets back in 2014, and I’m reusing them to create these . . . But, two and a half year of constant practice has refined my technique to a certain degree. Check my old work here and here for comparison. (Model: Yukiro…