[Fine Art Photography] Kimberly

Hybrid Photography: 40% digital photography + 40% analog photography + 20% digital photo manipulation I made a number of presets so I can repeat and automate the process. (And, in case you are wondering, the analog part of the photo was shot using KONO! Rotwild) Photographer and Retoucher: MIU VERMILLION Stylist: LEONID GUREVICH Hair Stylist:…

Retouching

These past few days, I’ve been taking another look at the images I captured a few years ago . . . Even though I still love the photos I picked back then, I also gravitate towards some images I didn’t choose that year.ย  This particular shot, however, is still one of my favorite shots of…

Vytaute

Alienskin Exposure X + VSCO X Model: Vytaute Siauciulyte Make Up: Shino Ariizumi Hair: Kazuki Fujiwara Photography + Lighting: Miu Vermillion Here is another image I captured more than a year ago. This photo does not require any retouching, but to make the image looks more interesting, I triple processed it using Alienskin Exposure X,…

[Take Two] Not-so-new Shot, New Edit

Revisiting the images I captured a couple of years ago, and retouching them in a completely different style ๐Ÿ’ ๐ŸŒธ Model: @ksubelskaya (@casbahmodels) ๐ŸŒธ Stylist: @masahiro_hiramatsu (@ysc_inc) ๐ŸŒธ Hair Stylist: @akirahair ๐ŸŒธ Make Up Artist: @makoto_nakai ๐ŸŒธ Photographer and Retoucher: @MiuVermillion Shot using Canon 5D Mark iii with one light setup (Profoto B1 monolight with…

Tethered

If a circus trainer ties a baby elephant to a peg when it was too small and weak to free itself; no matter how large and strong the elephant becomes, it will continue to believe it cannot free itself from its shackle. It is something my younger self can relate. I photographed this series many…

The Willingness to Experiment and Look Stupid in the Process (but learn a lot from the experience)

When it comes to developing one’s personal photographic style, improving one’s skills, and avoiding stagnation . . . there are times when one needs to ignore common theories and try something different: Using unusual camera settings, pointing one’s monolight to the floor, moving the light around bit by bit, and take some test shoots. And,…