Even if it’s only once, I really must give this a try . . . These images are also part digital photography, part analog photography (KONO! Rotwild + Fuji Instax Wide), and part digital photo manipulation. The digital image was shot using Canon 5DS R with 70-200mm lens, lit with Profoto B1 monolight + a…
Tag: Analog Photography
[Fine Art Photography] Kimberly
Hybrid Photography: 40% digital photography + 40% analog photography + 20% digital photo manipulation I made a number of presets so I can repeat and automate the process. (And, in case you are wondering, the analog part of the photo was shot using KONO! Rotwild) Photographer and Retoucher: MIU VERMILLION Stylist: LEONID GUREVICH Hair Stylist:…
[Fine Art Portrait Photography] Anastasia
I ended up re-editing the photos I shot in a couple of years ago . . . approximately 15 photos or so per look . . . but, this time, with the “less is more” approach: Color-grading + followed by light cleanup, dodging, and burning, + toning. The only lighting I used back then was…
[Analog Photography] Adox Color Imposion
Adox Color Implosion: Grainy, with yellowish tint, and GRAINS! I love how to use it to shoot anything blue . . . in this case: the sky, blue jeans, water in a swimming pool . . . It adds a nice contrast and makes the image pops Save Save
Washi X 400/135 Maskless CN Film
I was really sad when I found out this film has been discontinued by its manufacturer. (Actually, I’m still sad about it). Look at the beautiful cinematic effect seen on these photos. If you follow my blog, you might have seen this place in one of my previous posts. See the whole lot of difference…
Lomography 100 ISO Color Negative + Nikon N75
Sometimes, nice and simple shots are more than just enough Shot using my very first analog camera, ever . . . the one I bought at BestBuy many years ago, when I was taking Photography 101 class (the only photography class I ever took in my entire life). This camera is very easy to use….
Lomography XPRO 200 ISO 35mm film (Cross Processed)
Not every photo we create needs to be our masterpiece But testing new films for no particular project can be a good learning experience . . . The camera and film I used to create these images: Nikon N75 35mm Film SLR Camera Kit with 28-80mm f3.5-5.6 Nikkor Lens Lomography X-PRO Slide Film 200 35mm…
KONO! Rotwild + Lomo LC-A+ Camera (Take 2)
Not as strong and “contrasty” as other people’s (and my own previous) shots . . . but I like them this way. More nostalgic than intense, with an added tinge of melancholy . . . [adinserter name=”Recommendation Ad”]
KONO! Kolorit 400 Tungsten + Zenit 412LS
I shot these images at noon on a sunny day, and took the lens off my SLR every couple of shots to fix my camera’s mirror (I love my Zenit 412LS; but, every once in a while, its mirror gets stuck). I thought I must’ve wasted the whole roll of film. But, I got the…
Dreamy and Sometimes Painterly Images Shot Using Diana F+ Camera
Diana F+ is a fascinating camera! It’s known to create distorted, saturated, and stylized images. Some of the photos I captured using this camera come out very painterly . . . very soft, and either streaked with light leaks, or decorated with very strong vignettes. The rest, however, simply look very distorted. So far, my…
Rainy Day with Revolog Tesla 1
I always wanted to test Revolog Tesla 1 film on a rainy day. I figured that the film’s lightning-like special effect would look great with rain water and wet pavements. Revolog Tesla 1 is a 12-exposure ISO 200 expired 35mm film. According to the product description, blue or white flashes would appear on random spots…
Water Puddle, Noguchi Garden, Agfa Vista Plus 400, and Zenit 412LS
Grainy, desaturated (with pale lavender tint), and very sharp Zenit 412LS has become my #1 favorite analog camera ever since I used it for the first time a couple of months ago. I love how it captures textures, and there is a beautiful yet undefinable quality no digital camera and photo manipulation can create. Combined…
Revolog Volvox Experimental Film
Many weeks ago, I had the pleasure of testing this incredible experimental film; and I’m completely in love with it! The resulting images are vibrant and surrealistic. You’ll never know how the images are going to turn out before you develop and scan (or print) the negatives. But, so far, I love every single image…
Kono! Rotwild CN 400 35mm film + Lomography LC-A+
Trying and learning new things . . . Living and treasuring each moment . . . Creating artifacts . . . Because nothing lasts forever The photographic equipment i used to create these images: Camera: Lomo LC-A+ Film: Kono! Rotwild 400 CN – 35 mm Save Save Save Save
Getting to know my Impossible I-1 Camera (Part 3): I-Type Color Film
It took a few tries, but I think I’m starting to get the hang of it! I was a bit disappointed when I saw how washed-out the first set of images (below) look . . . but, eventually, I was able to create vivider, sharper, and more saturated images using the I-Type color films +…
Getting to know my Impossible I-1 Camera (Part 2): Black and White I-Type Film
Impossible Project I-1 Camera and I-Type films
Getting to know my Impossible I-1 Camera (Part 1)
Impossible I-1 Camera viewfinder replacement and the Fitted Case and Strap
Part review, part show and tell
Miu Vermillion Studio 